Showing posts with label ariel pink's haunted graffiti. Show all posts
Showing posts with label ariel pink's haunted graffiti. Show all posts

Friday, August 10, 2012

Hardcore Haunted Jazz House (August 13th - 17th)

Hello and welcome to Work Tunes.

A momentous week this week with Miss 5 becoming Miss 6. She got to chose her birthday dinner and picked Dominos pizza including (her first) delivery. She seemed ok with the results but I could tell she was a little confused, being used to her Mum's homemade gourmets on stones from the bbq or at the very least woodfired from Blend down the road. 

But enough about cheese and dough and tasty, tasty bacon, you came for the music not food. What's on the menu this week? Lashings of American Hardcore punk; a second helping of both Trainspotting and Elton John; there's a cheeky new jus of Ariel's Pink Haunted Graffiti; the ever faithful Concrete Blonde debut features along with the familiar flavours of
Josh Rouse; you'll find hints of Ornette Coleman, with a slab of AC/DC to drink, all topped off with a cleansing dollop of Brand Nubian and De La Soul for dessert. 

Check it out:
  1. Elton John
  2. Babes In Toyland
  3. Big Star
  4. Jay-Z
  5. Neko Case

Song of the Week : AC/DC - Thunderstruck




This week's SOTW, believe it or not, is AC/DC - Thunderstruck. I know, I know, I'm so little of an Ackadacka fan that I copped an arse-whoopin' at high school for giving Who Made Who a bad review in the school paper. But like I said even then, Back In Black is great stuff! 

The story behind my choice is just that someone at work on thursday mentioned one of those SS thunder ute things, another guy starts singing the song and we've all got it stuck in our head. So he wants me to find him a copy to listen to and get it *out* of his head. I didn't have a copy, so I chased down a link on Grooveshark and I listened to it too. 

That relentless riff of squeally tapping, the chant aaaahahahahahahahaah! This song is the big dumb action movie of rock and roll - it's big, dumb and fun. In fact, I'm pretty sure it has appeared in several BDAMs by now. 

So crank this, enjoy it for what it is - sweaty, simple and honest hard rock from Straya.

Seeya

Thanks for stopping by. If you're in Perth, get outside before the rain comes because it is glorious yet again. We're just back from the beach and everything was magnificently smooth and clear. I was hoping for more of a stormy driftwood kind of a vibe, but it's actually quite warm. 

Until next week, be good to each other. Go Eagles. Hasala malakim.

Thursday, January 6, 2011

Playlist : 10 Albums I Missed in 2010

Hello and welcome back to Work Tunes for 2011.

Last post last year was a collection of my favourite albums of 2010. Naturally, I wasn't the only one who wrote down my Top 10 list. For my first week back at work this year, I have decided to listen to a few albums that others chose and I hadn't heard. Mostly these are collected from music blogs and news sites, as well as from the recommendations of friends.

My 10 albums I missed in 2010 looks like this;
  • We Are Jeneric - Animals Are People Too : With a sort of freak-folk sound and tracks that don't take themselves too seriously (how could they with titles like A Sister and Brother in the Kitchen Trying to Fly like Eagles by Jumping Off of Counters), this is an enjoyable set that sounds like a few friends jamming at a late night party. It is a concept album of sorts, with all the songs about animals.
  • Jackie Greene - Till The Light Comes : A recommendation by @poopsiegirl of Twitterati fame. This is the first I've heard of Jackie Greene. My twitter buddy was right to assume I'd dig him; he sounds like Josh Rouse and Ray LaMontagne had a baby with John Cameron Mitchell. That is a very good thing in my mind (as disturbing as the literal image is o_O )
  • Ariel Pink's Haunted Graffiti - Before Today Ariel Pink, one-time Animal Collective collaborator and notorious eccentric has released a more cohesive and less lo-fi album under the new moniker. This is indie-as-all-hell, electronically grimy rock-pop that grooves just a little.
  • Sharon Jones & The Dap Kings - I Learned The Hard Way : I was introduced to Ms Jones through the awesome 100 Days, 100 Nights album a few years back now. Recently, at work, I heard one of our Melbourne managers was into her and was bigging her up to a visiting Perth staffer. It made me realise I had totally missed her latest effort. So here it is.
  • Karen Elson - The Ghost Who Walks : A little bit of countrified folk and a good dose of songwriting chops made me take notice of Karen Elson on previewing this album. I don't know if this is a debut or not, but I think I'll be doing some homework based on the strength of these songs.
  • Cotton Jones - Tall Hours In The Glowstream : There's something of a 50s/60s revival going on in music at the moment; have you noticed? Bands like She & Him, Best Coast and Kitty, Daisy and Lewis are tapping either a bit of a go-go inspired, or else folk-revival vein. Cotton Jones do it too. These songs sound like popular country from the late 50s. Even the album cover shows a beach scene from that era. Could all this nostalgia be the result of the Global Financial Crisis?
  • The Walkmen - Lisbon : Apparently The Walkmen have been releasing albums since 2002 with Everyone Who Pretended to Like Me is Gone. News to me. Regardless of how these guys slipped under my radar, this is a decent set. Their somewhat jangly indie pop is well worth a listen. They may have a new fan.
  • Kanye West - My Beautiful Dark Twisted Fantasy : Everybody has always loved or hated Kanye. Not me, I have ignored him, mostly. This album was on nearly every Best of 2010 list I read. I don't understand the fuss about the man; okay, he's Kanye and we're not, but what little I have heard has not inspired me. In fact, Kanye's "George Bush hates black people" line is imho his greatest lyric ever. But I will none-the-less give this LP a spin.
  • Beach House - Teen Dream : Heavy on the keys and the sentiment, Teen Dream sounds a lot like its title. Beach House have added a bit of pop to their usual whispy synth scape and it works.
  • The Black Keys - Brothers : Another album that made every Top Ten list but mine. Good bluesy tunes with a little bit of crunch in the bottom end. I quite like it, but it definitely wouldn't have been one of my ten personal favourites from last year. Possibly number 11.
So that's my listening schedule for my first week back. To ease me on into a whole new working year, my employer has generously provided a lunch and pistol shooting day on Friday. We like to call it Om Nom Nom Pew Pew Pew! I'm looking forward to it.

Hang loose bro; rock n' roll \m/