Fuzzed California Desperation Boom (May 27th - 31st)

Hello and welcome to Work Tunes.

It's another glorious Perth Spring day in Autumn today after more of the same all week. It's almost torture to be inside writing this, but the Eagles are on anyway. I'm watching while I type on my trusty laptop. 


There are a few bands here that I've only just discovered, or are new. Orgone has a record full of raw rock instrumentals that sound like a 70s cop film soundtrack. Trophy Wife's debut (and probably last, as they've split up) album is a cloud full of dream pop. Oblivions bring a punk rock slant on some indie rock. Balancing out the new bands, there's a few old ones; particularly The Sonics from the 60s and Al Green. There's two compilations again, one full of funk and the other full of that Californian 70s sound. After Daft Punk's big blow up, I decided to listen to Kraftwerk who do it so much better. There's a kooky collaboration between Edie Brickell and Steve Martin with a banjo. Lastly, for a dose of rhyme, there's the Eminem Show.  

Check it out:

• Oblivions - Desperation
• Orgone - Fuzzed Up
• Trophy Wife - Trophy Wife
• Kraftwerk - Electric Cafe
• VA - Take It Easy : The Sound of California
• Steve Martin & Edie Brickell - Love Has Come For You
• The Sonics - Boom
• Al Green - I Can't Stop
• VA - Funk Drops
• Eminem - The Eminem Show

Top Five Artists Last Week

1. Otis Redding
2. Talib Kweli
3. Daft Punk
4. The Walkmen
5. Lisa Loeb & Nine Tails

Song of the Week : My Morning Jacket - Leaving On A Jet Plane

I know we all appreciate a good cover done well. This one is done so well that I mistook it for a cover from the 70s, the era the song was written.

From the recent tribute to John Denver, My Morning Jacket perform Leaving On A Jet Plane. Before I heard the album, I slipped a few of the songs I know the originals of onto a playlist for a road trip. When this one came on, I thought it was strange that I had an old cover of it on my iPod, until I found out it was MMJ.

I think what gives it such an authentic sound is the mix. The heavy reverb on the vocals and the jangling ring of the guitars just sounds so much like that easy listening 70s sound. The song itself is a little maudlin, but I am impressed with the way the essence of it and the time period it lived in has been captured so well. Perhaps it’s awed hush is a note of respect to Denver who we all know died in a plane crash. It actually opens the tribute album and it sets the tone nicely.

Adios

If you get a chance, have a listen to Orgone - Fuzzed Up, especially if you're a fan of 70s cinema. It really does sound like an excellent cop movie while being a great listen with some hard grooves. I've had it playing wile cooking and that works, but it should really be great to work to. 

Hasala malakim.

Playlist February 28th - March 4th, 2011

Howdy pardners, welcome to what may be the last Work Tunes.

After reading a blog about simplifying your life and finding more time for what you love, I realised that I could probably stop this blog and focus on Make Films Not Movies. Though I do enjoy talking music, I prefer movies and I’m not finding enough time to watch and review them.

There are other things I can cut out of my schedule though, so I have some decisions to make.In any case, for this week I’m listening to :

• Paul Kelly - The A to Z Recordings (Disc 7) : With just two more discs to go, I should probably make next week the last week for Work Tunes. Disc 6 of this epic box contained a humdinger of a ditty in Shane Warne. With a swinging summer horn and calypso rhythm, the track was a great bit of levity in a fairly serious set of songs. This disc features mostly S and T songs, including perhaps two of PKs best known in To Her Door and Sweet Guy.

• Rolling Stones – Rolled Gold (Disc Two) : The second part of the Rolled Gold Best Of compilation features some of the Stones' meatier tracks including Sympathy For The Devil, Wild Horses and You Can't Always Get What You Want. There are more of the early 70s songs here than on Disc One, which had several very early tracks from when the Stones thought they were Mississippi Bluesmen. I prefer this side of the band.

• Dolorean - You Can't Win : After hearing the latest effort from Dolorean last week, I was reminded why I really dig this band. Simple chord progressions, quiet twang and thought out lyrics will always be high on my list of things-i-like-in-music. Dolorean does all of that so well.

• Digable Planets - Reachin (A New Refutation Of Time And Space) : Lately, the Native Tongues style of jazz beats and positive, conscious lyrics has been sounding pretty good to me. I flip out over Blowout Comb by Digable Planets, but this is another great album. If only they were still around. Maybe they could resurrect Black Star while they were at it.

• Thom Yorke - The Eraser : Last week, I slowly but surely became in awe of The King of Limbs, Radiohead's brand new release. One thing I liked about it is the layering of electronic sound, which is the same thing I like about The Eraser. The King of Limbs is superior to Thom Yorke's solo debut, in my opinion, but this is still worth a listen.

• Radiohead - OK Computer : A lot of listeners would agree that OK Computer is Radiohead's finest hour. It has made countless critics' lists of the best albums of all time, or of the 90s of the UK and so on. The critical response to The King of Limbs has been mixed, to be polite. I wanted to play this album this week to get a better gauge on the difference. I bleieve TKOL will someday get a little more love than it does now.

• Sonic Youth - Goo : Goo was Sonic Youth’s seventh release, but got them a good deal of attention from further mainstream than usual thanks to the Seattle ‘scene’ that broke around them. The album after this, Dirty, got even more. Though it was released in 1990, Goo contains much of the sound everybody went crazy for not long after. It is the start of a more cohesive, less experimental Sonic Youth sound and a decently fuzzy and rocking album. The biggest track on the album is Kool Thing. We of course all know how cool Kim Deal is, thanks to the Dandy Warhols.

• Edie Brickell & the New Bohemians - Ghost of a Dog : Edie Brickell & the New Bohemians' 1988 release Shooting Rubber Bands at the Stars has always been one of my personal favourites. I have only ever had a cassette copy of this, it's follow up, until recently when I bought the CD. Stand out tracks are the title track and the jaunty Black and Blue.

• A Tribe Called Quest - People's Instinctive Travels And The Paths Of Rhythm : More Native Tongues, which is good for what ails Hip Hop. This Tribe album has two of the groups few hits in Bonita Applebum and Can I Kick It? But you can't go past the smooth grooves of Youthful Expression and the played-for-comedy I Left My Wallet In El Segundo.

• Marcy Playground – Marcy Playground : Remember Sex and Candy? Yeah, me too! But that's about all I ever knew of Marcy Playground. So when I saw this CD on ebay for 1c, I thought "why not?" I haven't listened to it yet. Fingers crossed.

Regardless of whether I decide to give this blog away, I will be making a playlist every week. I may just blog here once a month a list of the albums I enjoyed most and try to review a movie a week for MFNM.

Thanks to those who come to read. If I’m here next week, I hope you will be too.

Ciao for now.

Playlist January 31 - February 4th, 2011

Hello and welcome to another Work Tunes. I trust we've all had a HUGE Australia Day and we're ready to get back to work and do the hard yards.

To get me through my working week, I've got a list with a few Australian artists both pop and rap, a touch of folk and another 90s classic. It looks like this:

• Paul Kelly – The A – Z Recordings (Disc Three) : Three discs in now and I am really enjoying these live and sparsely instrumented cuts from the master's songbook. Highlights of the Kelly magic on Disc Three include God Told Me To, the timeless political anthem From Little Things, Big Things Grow and the greatest Australian Christmas song ever - How To Make Gravy.

• Iron & Wine - Kiss Each Other Clean : I was a little late to the Iron & Wine party. I know now that their earlier stuff was a little quieter than it is now and didn't have the instrumentation of this album. Some songs, such as Godless Brother In Love still have the sombre ebb of earlier cuts, but others have a new noise, at times even a groove. Either way, I like what I know of them and this is the latest.

• Babes in Toyland - Fontanelle : Following on from last week's 90s obsession, I have another classic grunge era set I'd like to hear. Forming in 1987 as a punk band in Minneapolis, Babes In Toyland eventually became a large part of the 'alternative' scene of the early to mid 90s. Fontanelle was their first and best selling full length album. Strange, arty and angry background vocals/voices and dirty guitar fuzz driven by a crunchy bass is what you'll get for your money.

• Edie Brickell - Edie Brickell : Dropping a self-titled album for your ninth release seems rather a strange thing to do. I suppose when you haven't had a lot of success sales-wise since your double platinum effort in 1988 (Shooting Rubberbands at the Stars), you might as well give it a shot. In 1988, 'Rubberbands' was a staple listen for me and then again a few years later at first year Uni, it became a sort of soundtrack. Apart from that, Brickell's Good Times film clip shipped with Windows 95 to show off it's awesome video capabilities (*chortle*). This CD I haven't played yet, but given 88s release is such a timeless classic, Edie's latest deserves a listen.

• VA - Dazed and Confused Soundtrack : Richard Linklater's film about high school in the 1970s took great pains to get everything right. From the clothes to the cars and the little paper cups the kids drink keg beer from, Linklater wanted to capture the vibe and the look of the 70s. One way he did that exceptionally well was the soundtrack. This collection of rock classics includes Cherrybomb by The Runaways, Kiss' Rock n Roll All Night, Black Sabbath's Paranoid and Alice Coopers' School's Out. Conspicuously missing of course is the Led Zeppelin song from which the film takes its name and the excellently used No More Mr Nice Guy by Alice Cooper.

• The National - The Virginia EP : After Bloodbuzz Ohio made #31 in a rather disappointing JJJ Hottest 100, I was speaking with my boss about what bands were at least decent in the list. The National was my first choice. I put him on to some early stuff and it made me want to hear some National too. This is an EP of demos and outakes released in conjunction with a tour documentary DVD (A Skin, A Night) after breakthrough album Boxer and before their latest effort High Violet.

• Pearl Jam - Ten : Another conversation raised by the Hottest 100 was about how in 1992 it was impossible to get Pearl Jam tickets. That led to talk about this album and how I haven't heard it in some time (preferring instead to reach for Vs or Vitalogy). I remember clearly a time when I'd play Ten over and over again all day for days.

• Bliss n Eso - Running On Air : The latest platinum selling disc from the Sydney skip hop duo. I first heard these guys via a free track on iTunes. I'm not sure what song that was, but it was off the brilliant Day of the Dog album and I've been a fan since. With guests such as Xzibit and samples as unexpected as Kasey Chambers, B&E are at their peak right now and blowing up fast.

• Muphin - More Than Music : Some more Aussie Hip Hop (thanks Australia Day), this time from one half of the Muph n Plutonic duo. Muphin always takes the laid back and chilled down verses on the M&P albums, so it's no wonder this solo effort is full of such songs.

• Conor Oberst & the Mystic Valley Band – Outer South : Conor Oberst has apparently released 5 solo albums, but of those I have only heard the self-titled release from 2008. As Bright Eyes I am a big fan of Oberst's brand of self-referencial, tongue-in-cheek morbid dirges and lo-fi techniques. The self-titled solo album is just as morbid but a little less cheeky. I am yet to hear this set with the Mystic Valley Band and I am looking forward to it.

If you hear just one of these albums, make it Paul Kelly. There are some songs on there that have been entered into the national psyche and are as much a part of our shared culture as The Man From Snowy River once was. It might only be a financial services advertisement, but now everyone knows From Little Things, Big Things Grow.

That's it from me. I'm going to get through a weekend of forecasted humidity around a bajillion percent any way I can. I hope you can too.

Peace man, right on.