Showing posts with label phil collins. Show all posts
Showing posts with label phil collins. Show all posts

Saturday, March 24, 2012

The Bonus Port of Tigerlily Anthology (March 26th - 30th)


Hello and welcome to Work Tunes.


Big day at the office today, but it's Friday night while I write this and the weekend is here. Hooray! Picnic on Sunday for Miss 2's 3rd birthday and the wife's (redacted) birthday. Miss 5 lost her first tooth and scored $2 from the Tooth Fairy. She said tonight she wants to go to an Op Shop and buy a record. I'm so proud *sniff*. [Edit: It's Saturday now and she actually bought a hardback copy of Little Women. Still very proud!]


Also proud to say I managed to collate another list worth hearing (for me). I've got some Belle & Sebastian because I was late to that party; the gangsta classic from NWA; a Toy Box Scholars set; another Phil Collins classic; Natalie Merchant's criminally underrated Tigerlily thanks to @BZB; Pablo Honey because I recently discovered my copy had gone missing and bought a new one; some early Creedence; the new one from the Shins; a Hoodoo Gurus compilation and finally, the exhaustive and tremendous Uncle Tupelo Anthology.


Check it out:
  1. George Harrison
  2. Ghostface Killah
  3. Counting Crows
  4. MC Shan
  5. Phil Collins

Song of the Week : Bruce Springsteen - Racing In The Street



Back when Springsteen started releasing albums, there were a lot of comparisons to Dylan. At their very best, Dylan's songs have phenomenal musicianship and brilliant lyrics, while his voice is a mere conduit to carry those words to us. At Bruce's best, the words and the voice are so captivating that the music kind of disappears, no matter how loud or intense it gets.


This song, Racing in the Street, is from start to end like a complete film. A couple of guys race cars that they make for money on the New Jersey streets. One day they meet a girl and one of them settles down with her. Life goes on and racing cars for fun with no responsibilities gives way to day to day grind and the couple loses their freedom and spark. Until one day, at the end of the film, they ride off into the sunset.


I've been watching The Promise which is a doco about the making of the Darkness on the Edge of Town LP. Springsteen himself used cinema analogies to explain all the songs. He said for instance that if the whole album was a film of a romantic couple at a picnic, the song Adam Raised a Cain was a quick cut to a dead body.

It's a long song and it feels like an epic story of love and honour and friendship and class and loss and hope and everything else. It's a large chunk of blue collar New Jersey life peeled open and laid out bare.

Tah Tah

As always, thanks for stopping by. Hopefully something here will inspire you to listen to a record you really enjoy - even if it's not on the list. Be good to each other, don't get hung up, man. Be cool.


Hasala malakim.

Saturday, March 17, 2012

Seriously Liquid Chairlift Pass (March 19th - 23rd)

Hello and welcome to Work Tunes.


Good tidings to you fellow tunesters. It's been another fairly uneventful week with just the one exception - new iPad! Unfortunately, this lovely piece of new technology comes with the bittersweet realistion that it is for a very frightening milestone birthday in June. I won't say what milestone that is, but let's just say my life will begin...


On to the music and let us never speak of birthdays again. To ease my pain and also show my age, I have some Saturday Night Fever; some INXS and some Phil Collins. Having just seen Scorsese's brilliant George Harrison documentary, I've plugged All Things Must Pass in. There's some old school rap from Queensbridge legend MC Shan and some GZA thanks to a workmate. Also from a workmate I have Chairlift. Spin put out a free compilation of SXSW 2012 acts and that's here and it's all rounded off nicely with Iggy Pop.


Check it out:
  1. Hilltop Hoods
  2. Farrar,Johnson,Parker,Yames
  3. The Cult
  4. Bruce Springsteen
  5. Jack's Mannequin

Song of the Week : Television - See No Evil



This week's song is literally the song of my week. It's been following me around every day. It's been stuck in my head. It's popped up on randomised playlists more than once. I even had a dream where someone was busking and singing it! So I figured this song has worked hard to make itself my SOTW and who am I not to reward effort. So, without further ado, congratulations to: Television - See No Evil.


I am sure I've made these guys SOTW before, their debut album Marquee Moon is one of my desert island discs and the vinyl in excellent condition is a white whale for me. At least ten years ahead of its time, the 1977 release is a hybrid of proto-punk and the arty wankery of people like the Velvet Underground. Punks with a brain, basically.


See No Evil is a post-punk song written before punk broke. It has a touch of new wave about it and even elements of 90s indie rock. The line "I understand those destructive urges" has been running through my brain on loop all week. I must be feeling like a riot :) I hope it doesn't make you guys riot.

Laters

Thanks for stopping by. Hopefully you find some new music this week. If you haven't heard Marquee Moon, where this week's song of the week was taken from, check it out. It's one of those albums everyone should hear. 


May your weekend be full of magic. Go Eagles!


Hasala malakim.