Friday, June 28, 2013

Wanted One True Drama (July 1st - 5th, 2013)

Hello and welcome to Work Tunes.

Massively chaotic day today after a 1 hour delay with a doctor's appointment for Miss 4. I'm hurriedly throwing this all together with what little time I have left before swimming lessons. 

What I've got for next week is the new ones from Mavis Staples and Black Sabbath. Also new is the True Blood Season 4 soundtrack. For a little bit of 70s flavour there's Lou Reed's solo debut and the greatest hits of Earth, Wind & Fire. Art Brut's fun Bang Bang Rock and Roll unbelievably makes its first Worktunes list ever; as does Beck's One Foot In The Grave. On the rap side of town there's Ice Cube and Melbourne's own Pegz. And lastly, the follow up to a compilation I played last week, For The Kids Too is here. 

Check it out:


Top Five Artists Last Week
  1. Gillian Welch
  2. Guns N' Roses
  3. Prince
  4. Seapony
  5. Ornette Coleman

Song of the Week : Best Coast - Storms



This is a cover. The second Fleetwood Mac cover that Best Coast have done (the other being Rhiannon). Not having listened much to Tusk, I wasn't immediately aware this was a cover. Fleetwood mac's original just hadn't caught my ear like this, so I didn't recognise it. If you listen to the original, it's obviously superior, but Stevie doesn't give it any oomph. She sings it in that world-weary, defeated Stevie Nicks way she usually does. Which is also a fitting way to sing it. Especially the bit about the deadly calm inside the storm. But when Bethany sings it, she pours it out like a wail of pain.

It probably felt like a Best Coast song to me for that reason. The instrumentation is redundant; simple and sparse and noisily punky. It's just a vehicle for Bethany's voice to run around on top of. It also feels like hers because of the obvious feeling for it and also the subject matter - given her self-proclaimed reputation for being a 'storm' and her tumultous long distance relationship with Nathan of Wavves ("I did not deal with the road").

The song has been stuck in my head for weeks. I've been relating to the "I have always been a storm" refrain. I've never been a 'blue calm sea',   - But I'm trying, Ringo. I'm trying real hard to be the Shepherd.- :) 

Postscript: The first time I heard this song, when I heard the closing refrain “We were frail”, what I heard was “We were Fredo” – you know, like Fredo Corleone of the Godfather. I thought “Huh? Oh, she must mean they betrayed each other. Or maybe that their relationship was something they loved but that had to die because it caused problems” the way Michael kills Fredo. I of course looked up the lyrics and discovered what they were. But you know what, We were Fredo actually works! 



Ciao

Got to jet off to swimming really soon, so I'll have to love you all and leave you. Stay golden, be excellent to each other and if I don't see you good afternoon, good evening and goodnight.

Hasala malakim.

Friday, June 21, 2013

Shape the Leather Seapony (June 24th - 28th)

Hello and welcome to Work Tunes.

It's been a bit of a hurried Saturday since we just got back from shopping and it's almost time for swimming lessons. Mrs coreyj just showed the girls how to open and eat fresh coconut - their first time. They want the shells for their Crazy Crabs. Now everyone is relaxing and I'm here with you. So, shall we?

Another mixed bag of things I love and haven't heard for a while along with a new album and an old remaster. In the old favourite basket, there's Gillian Welch, Seapony, Guns N' Roses, Dolorean and Prince. The new album comes from Justin Rutledge. The remaster is Bob Dylan's rock classic Highway 61 Revisited. Into the mix I've thrown an old Run DMC record and a compilation of radio friendly indie artists doing kids friendly songs. The crowning jewel is Ornette Coleman's brilliant free jazz outing The Shape Of Jazz to Come.

Check it out:


Top Five Artists Last Week
  1. Bright Eyes
  2. The WIld
  3. Jason Isbell
  4. U2
  5. Surfer Blood

Song of the Week : Jason Isbell - Elephant



On Tuesday when I heard this song for the first time, it seriously busted my chops. I mean, I was choked up and everything over it. I knew it should probably be my SOTW, but I thought it was too morbid and sad to hang it on you all. Then James Gandolfini died which was awful news, and then worse, personally, I woke this morning to the news that I'd lost an Aunt (my Mum's sister) to a heart valve operation. It made me think that life really is a bitch sometimes and that if someone can take a little piece of grief and craft a song that can break the heart of someone they don't know with a couple of clever lines, that deserves recognition.

The instrumentation of Elephant is sparse and hushed. Lyrically, it is immense. Isbell shows us a drunken couple with the woman dying of cancer and he takes telling little vignettes - sweeping lost hair from the floor; her voice all gone for singing; gin in a coffee cup - and imbibes them with the sadness of grief and alcoholism and clinging to every tiny bit of respite. Then he places a giant Elephant in the room and gives death a foreboding presence that these drunks are ignoring.

I can't believe that anyone in these cynical times can write such raw and unbelievably emotional scenes with barely any words at all. I'm sorry if it makes you sad like it did me, but I have to admire the craft of it all. If anyone has little ears in the background, or clients/bosses, there’s a pronounced F bomb, so turn it down.

Arrivederci

Big Italian feast to cook tonight (well, bruschetta and sausage with fresh shaved Parmesan. What's that? Get some red wine you say? That's actually a good idea. I just might.

Alla prossima settimana. Hasala malakim.

Friday, June 14, 2013

Tricky Southeastern Surfer Punk (June 17th - 21st)

Hello and welcome to Work Tunes.

It's my birthday tomorrow and I'm feeling old as dirt, so forgive any grumpiness. Let's all try to forget that I'm turning 35 (again) tomorrow, shall we, and get on with it. I reached for a few old favourites this week. Maybe a touch of nostalgia from the stupid birthday thing? Whatever.

I grabbed U2's reinvention, Achtung Baby and Bright Eyes' (imho) best album, I'm Wide Awake, It's Morning. There's more favourites in Wilco's Sky Blue Sky and a Punk compilation of music from 1977. Volume 2 of one of my desert island compilations, Rare On Air is also here. There's a few new ones too though, from the magnificent Jason Isbell and from Surfer Blood. I got hold of The Wild because they were filed under Folk Punk and I had to hear what that was like. For something Trip and Hip Hop respectively, I grabbed Tricky's Maxinquaye and Tape Two from Young Fathers; who are believe it or not a rap trio from Scotland. 

Check it out:


Top Five Artists Last Week
  1. Dolorean
  2. The National
  3. Sonic Youth
  4. Concrete Blonde
  5. Brother Ali

Song of the Week : The National - Fireproof


This week's SOTW comes from my LPOTW. You all know I dig on The National and their new album has done nothing to harm that fanboy relationship. It's full of solid songs, but the reason I chose this one is because I think it illustrates a lot of what I like so much about The National's sound. 

Fireproof is simple enough, with a consistent riff played throughout as the main backing music. There is a tightly constructed time sig about everything from the percussion to the guitar. And then you get Matt Behringer's vocals and lyrics which seem like a random ramble over the top, always seeming to threaten to get out of time with the track. When he starts singing "Jennifer you are not the only reason..." he sounds like he's mumbling to himself and there happens to be this tight riff under his thoughts. I've always liked the way he phrases a lot of words around a small bit of space.  

Enjoy!


Bye Bye Baby, Baby Goodbye, Baby 

I'm off to the video store (link included for those born after 1995) with the kids to get a bluray for tonight's viewing. I'm hoping Monsters Inc is available or I'll be stuck with The Lion King, or worse, Rio. 

Live long and prosper. No AFL for me this week, so I hope your team does well. 

Hasala malakim.

Friday, June 7, 2013

Hurry Sing Trouble Pilgrim (June 10th - 14th)

Hello and welcome to Work Tunes.

I'm just back from the Program Launch of the 2013 Perth Revelation Film Festival after checking out The Deep. Quite an enjoyable film, shot tremendously well. Check it out if you like Icelandic films based on the true life events of a fishing boat tragedy at sea. I think I'd have structured it differently; but what would I know? I'll just get on with the music, shall I?
  
Again this week I've got a couple of artists I've never heard before in Laura Mvula and City and Colour. The other new album this time around is from The National. There's some old, old releases from Pixies and Sonic Youth, as well as a late career release from Concrete Blonde.Two compilations will be on rotation, a Tour Of Duty soundtrack and one of my favourites from KCRW, Rare On Air. Repping Hip Hop for the week, there's two legends in Mos Def (now Yasim Bey) and Brother Ali. 

Check it out:


Top Five Artists Last Week
  1. Boards of Canada
  2. The Church
  3. Pink Floyd
  4. Blondie
  5. Bob Evans

Song of the Week : J Geils Band - Freeze Frame



My song this week is just a bit of fun that was conjured up by my roller skating trip on Sunday. As a bit of background, from the time I was about 9 to the time I was 14 and got serious about skateboarding, I was a roller skater. I took actual lessons in figure skating when I was about 11 - 12 down at Kwinana’s then number 1 teen hang out – Astroskate. After each lesson at Astroskate, there’d be a free skate session on a Saturday afternoon. When I’d moved into speedskating, Sunday at 2pm was the session to be at (where a young lad could meet and snowball with lots of likely lasses).


Throughout my time as a roller skater, a few songs were absolute mainstays to certain parts of the session – such as J Geils Band – Freeze Frame  and The Angels – Take a Long Line for speed skate. Imagine my surprise down in Cockburn on Sunday when this song from the was the song of choice for the speed skate session. I know that roller skating is kind of the sport that time forgot, but I was really surprised that the people who control the music were playing Beiber and Psy and all that garbage but still holding onto their staples (Ne Order – Blue Monday in particular).

The only other song by J Geils Band that I know is Centrefold and that got flogged to death at Astroskate too. I’m not sure what this one is really about, other than a model(?!) but I never considered it either while whizzing around the blue concrete wearing my Adidas footy boots with shiny blue trucks and some wheels that were the business back then but who’s name I can’t even recall now. Enjoy!

Ciao 

That's it for this week. If you're a movie person, run on over to the Revelation site and check out the program. Even if you're a music person, there's a bunch of great music docs playing this year; including the Big Star documentary and the one on the late Oz Hip Hop legend, Hunter.

Hasala malakim.