Saturday, December 17, 2011

Song of the Week December 16th, 2011


Elizabeth Cook - El Camino

My song this week is just something a little fun from a free set I got via Noisetrade, The Best of American Songwriter Sessions The compilation features a few bands I know and love like Vetiver and some artists I’d never heard, like Elizabeth Cook.

This song El Camino can best be described as Redneck Rockabilly Country Blues. It’s a very Americana sound  but it doesn’t take itself very seriously. The lyrics highlight the fun of it all with every single redneck cliché there is, including the car from the title, mullet hairdos, fishing, booze, roller derby and Friday night fights. It’s got me interested in hearing more of what Elizabeth Cook has to offer, just to see if this a novelty song for her or it’s her regular sound.



Yeeehaw!

Wednesday, December 14, 2011

Playlist : Top 10 Albums of 2011


Hello and welcome to Work Tunes.

Well it's the last week of work for me before holidays, so it's that time again where I try to pick the best albums of the year for my final playlist.

It might just be me, but 2011 seemed to have a large number of high quality releases. It was certainly a lot harder to get my list down to just 10 albums. For that reason, as well as my Top 10, I'll list my next 10 and all.

Like last year, this is not the best albums of the year but rather my favourites. These are the records that have stuck with me, made me smile, made me think. And like last year, there's a mixtape of the best song from each of my 10 favourites. You'll find a link at the bottom of the post.
  • Gillian Welch - The Harrow and the Harvest : It was a long wait for Gillian Welch after 2003's Soul Journey. The reason it seems is Welch and partner David Rawlings just weren't feeling the songs they were writing in between. When the music did come, it came in a massive feast of ancient harmonies and the haunting bells of mountain guitar picking. This is an exceptional LP. The empty space around the sounds of Welch's sweet voice and Rawlings' resounding strings is filled with the ghosts of the Appalachians. It sounds like it's immaculately captured music from 100 years ago, but the lyrics are firmly grounded in the modern day. This is undeniably my favourite album of this year and probably the last couple of years as well.*****
  • The Roots - Undun : Last year, The Roots produced my very favourite album of 2010 with their  John Legend collaboration, Wake Up! for it's old time soul aesthetic. This time around, The Roots have released an album that harkens back to better days in Hip Hop, as well as points a new way forward for the music. Undun is a concept album about a young man, Redford Stephens and his demise from gang violence and drug culture. Songs such as I Remember and  the Sufjan Stevens composed Redford bring an exciting level of musicianship and soul to Hip Hop's ailing musical arm.  *****
  • Dolorean - The Unfazed : I'm an unashamed Dolorean advocate after discovering them a couple of years ago. This year's release The Unfazed is another superb set of folky alt country songs with a lot of heart. Stand out tracks for me are Fools Gold Ring and the bittersweet kiss off of Country Clutter.  If you don't know Dolorean, The Unfazed is as good a place as any to start, then work your way backwards to their sensational 2003 debut Not Exotic. ****
  • Blind Pilot - We Are The Tide : Blind Pilot's debut 3 Rounds and a Sound is a desert island disc of mine. The latest release from the bike riding Portland band will have to slip right in next to it. We Are The Tide is stylistically not too different from 3 Rounds, but that's just perfect for me. Sweetly crooned melodies like Keep You Right and the upbeat pop of Always make for another great set from Blind Pilot that I can't ever seem to get sick of. ****
  • Vetiver - The Errant Charm : Vetiver rounds out the holy trinity of great folky Americana bands I've kept going back to all this year (with Dolorean and Blind Pilot). I first heard of Vetiver from The Family Jams documentary and have since stocked up on their back catalogue. This release is a beautifully instrumented set of reflective and poetic songs. Stand outs for me are Worse For Wear and the sadness of Faint Praise. ****
  • Ryan Adams - Ashes & Fire : After the last Cardinals release, Cardinology, archival releases III/IV and the kooky space metal Orion dropped, it was good to have a new Ryan Adams solo set. Ashes & Fire was somewhat a return to finest form. From the honkytonk keys of the very Dylanesque title track, to the sweet pop ballad sensibilities of Lucky Now, Ashes & Fire is a solid and coherent output from the man who has been creatively all over the place since his previous studio release of new material. Adams' solo set at the Perth Concert Hall in February is one of the thing I'm most looking forward to in 2012. ****
  • The Rural Alberta Advantage - Departing : The crackled shine of Nils Edenloff's voice in the opening track, Two Lovers, instantly pulls me in to every story the band weaves from thereon in. There's something about the production of Departing that makes it sound like a bunch of your closest friends are playing in your loungeroom on songs they wrote for you. That fantastic opening track is among my favourite songs all year. Add to that the jaunty stomp of North Star and the homecrafted feel of Coldest Days, I just can't resist this album or this band. *****
  • The Decemberists - The King Is Dead : There's a heap of great music coming out of Portland these days, like it's the Seattle of the 21st century. The Decemberists' sixth LP was recorded in a barn on a farm in Portland and it sounds every bit as lush as the rural surrounds would suggest. There's something completely timeless about the memorable melody of June Hymn and the beautiful Rise To Me. It took a guest spot by Gillian Welch to have me pay attention to this band and I'm grateful I did.   *****
  • Radiohead - The King of Limbs : This inclusion is most likely going to be a bit contentious with a few people. Each to their own, but I found TKOL to be incredibly nuanced as far as arrangement and instrumentation goes. There are so many levels of sound and subtle atmospherics on the band's eighth album. I've read that they used vinyl simulators and DJ techniques to sample a whole heap of their own sounds and create loops and ambient sound. It sounds incredible on vinyl and that's likely why. Though it holds no obvious classics, as a whole I love the way it sounds and it's economical running time makes for an enjoyable listen over and again. *****
  • AA Bondy - Believers : Auguste Arthur Bondy was once the lead singer in a band I've never heard called Verbena. His solo debut American Hearts still rates among my most treasured albums. The same can be said for its follow-up, When The Devil's Loose. Imagine my surprise when the difficult third album came up trumps too. Releasing a killer album every two years is no mean feat. My hat's off to Bondy for another solid set of haunting and visceral Americana tunes. Immediate standout tracks are Skull & Bones, Drmz and the sprawling RTE. 28/Believers. ****
And there you have it. 10 albums that made a big difference to my year. I hope there's something among them that you might try for the first time, or even some you know well and have given you the same joy as they have me.

As I've said, it was hard to pick just 10, so #11 - #20 are listed here. There really wasn't much that kept these out.
As for the mixtape, here is the track list for the 10 songs, one from each of the top 10. 

Ryan Adams - Ashes & Fire
Blind Pilot - Keep You Right
The Rural Alberta Advantage - Two Lovers
Vetiver - Worse For Wear
Radiohead - Morning Mr Magpie
AA Bondy - Skull & Bones
The Roots - Sleep
Dolorean - Country Clutter
The Decemberists - June Hymn
Gillian Welch - Tennessee 

And that, my friends, is me for the year. I'm on leave from the 23rd, and I'll be back on the 9th, so no Work Tunes until work resumes. In the meantime, you'll probably catch me over at Make Films Not Movies.

I hope your break is amazing and all the untold little hassles of 2010 don't follow you into 2011. As always and forever - hasala malakim brothers and sisters. 


Peace (on Earth) man - Right on (to all men). 

Thursday, December 8, 2011

Playlist : December 12th - 16th, 2011

Hello and welcome to Work Tunes.

Not a great deal to report this week. Still wishing I was on holiday down south with the wife. I could easily have stayed there, bought the record store and started a new life on the beach away from the city. But then there were tourists to consider. They ruin everything. I should know, being one and all.

This week's list features the next installment of the Tracks box, another set from The Deep Dark Woods, The Roots' fantastic new album, some old favourites and two compilations - including Australian Hip Hop Supports Canteen, MC Hunter's final project before he left us. RIP brother.

  1. New York Dolls
  2. Honeyhoney
  3. Bruce Springsteen
  4. The Black Keys
  5. Terra Firma



On the music, I feel I ripped off The Roots last week (as good as that HH track is), because all I really listened to was Undun. I finally found a track I could send you and this is it.

What I like about The Roots in general is their musical ability and their melodic hooks. As you probably know, they are the house band on Jimmy Fallon’s show. That musicality shows through on things like the ridiculously juicy bass rolls in this track Make My. Then you have a vocal crooning chorus that goes with the deep smooth bass of the verse rap.

This album is thematic and it all holds together nicely as an expression of both inner-city violence for subject matter and a blueprint of more melodic, mature and important hip hop music. I don’t know how much you guys hear of people like Drake or Odd Future, but there’s no substance to it all and it sounds plastic and manufactured to go with the misogyny and homophobia. The Roots is how it should be done.

Ciao Bambinos
Tah tah for now kids. Have a terrific weekend and remember not to get hung up; be cool.

Hasala malakim.

Thursday, December 1, 2011

Playlist : December 5th - 9th, 2011

Hello and welcome to Work Tunes.

Just a really super quick one this week because I've been away all weekend down South. I chose these albums hurriedly before I left.

Disc two of Springsteen's Tracks was an easy choice. After a Velvets kick last month I felt like some New York Dolls. The new Hilltop Hoods song made me get all mooshy for Skip Hop, so there's some Cross Bred Mongrels (featuring now DJ for the Hoods, Dj Debris) and Terra Firma. Honeyhoney I discovered last week, so I'm giving them a go along with Summer Camp who I also recently found. New Black Keys, old Joanna Newsom, The Low Anthem and the always excellent Gil-Scott Heron and we're done.

  1. The Rolling Stones
  2. Pixies
  3. Bob Dylan
  4. Bruce Springsteen
  5. James Brown
    Song of the Week : Hilltop Hoods - I Love It (featuring Sia)



    In all likelihood, if I could get hold of a copy, this week's SOTW would be off The Roots' forthcoming album Undun. I've been streaming it once a day all week from NPR. But, no leaks and no release yet means I have to go with something else. This something else is pretty damn great too. And speaking of no release, the Hilltop Hoods album that I Love It is from doesn't drop until February. Right around the time that I'm off to see my very first Hilltop show and also to see Radams with two of you lovely people. Jamie if it isn't too soon post-baby, grab a ticket for the show ($40.80) at Capitol on Feb 3 and I'll meet you there. I wasn't going to go, feeling as I am too old for a packed crowd full of homeboys, but damn it I love these guys.

    And that's why I chose this song in lieu of The Roots. Hilltop are without a doubt the pinnacle of Oz rap. These guys dragged the mainstream in without losing their original fanbase and everything they've done since The Calling has been untouchable. Record sales, first oz hip hop #1, highest placing rap song ever on JJJ, Arias galore. This song doesn't seem to have fallen off the pace either. That fantastic Sia hook and the usual larrikin lines from the lads has already made the song the #1 iTunes release last week. I don't listen to broadcast radio any more, but I'm guessing JJJ is killing this already. So I apologise if you've heard it on air a million times. I can only hear it when I play it - which is a lot!

    Gotta Go
    Thanks for stopping by. Hope you're weekend was a good one. I need to go sleep mine off.

    Hasala malakim.

    Friday, November 25, 2011

    Playlist : November 28th - December 2nd, 2011

    Hello and welcome to the Work Tunes that almost never was.

    I recently had to let go of my 160Gb iPod Classic after a few good years of service. It actually still works, but it wouldn't connect to iTunes, so it made playlists a very hard thing to make during my lunch breaks as I'm used to. I'vbe got a new one now and I'm beginning the arduous task of filling it up again. But I have a list now, even though it was a little rushed.

    Classic albums and artists are over represented, probably because they're the best thing to reach for when you don't know what you want. Luckily Spin came through with the December issue so I have some brand new tunes too. Thanks to a viewing of Rock The Bells, I grabbed Wu-Tang's classic 36 Chambers. I threw in some Iggy Pop to go with my recent obsession with Velvet Underground. I got so excited about the new The Roots LP coming soon that I hooked up an old one and that's about it.

    1. Mr Bungle
    2. The Doors
    3. KRS One & Marley Marl
    4. Kathleen Edwards
    5. The Deep Dark Woods



    Musically speaking, there has been a strangely coincidental Velvet Underground theme following me around. I happen to have chosen Beck's Record Club tribute to the Velvet Underground & Nico album for this week's list, but more than that I watched a doco on Sunday about Lillian Roxon who photographed and wrote about VU and also Bowie and Iggy Pop in the early days at Max's. I've also seen a bunch of people bagging out the Lou Reed / Metallica collaboration (and so I won't listen to it and sully my high opinion of Lou Reed). This all lead me to listening to lots of VU and checking out Nico's solo album Chelsea Girl on Songl. On it, she covers Bob Dylan - I'll Keep It With Mine.

    There are only two versions of Dylan's original that I have heard. One is solo piano and it's called Bank Account Blues. The other is with a band on the Bootleg Series. Hearing Nico sing it in a slow droning monotone, reminded me how good Bob's Bootleg version was. It's a pretty catchy pop melody without the throw away lyrics. What's most enjoyable about this version though is that Dylan is playing it with the band during the Blonde On Blonde sessions for the first time. They haven't rehearsed it, they're throwing together the backing as they play. You hear the producer reassure Al Kooper on the organ to play what he was playing earlier and then Al starts up. Bob at the end of a verse asks the band, "Right?"

    I find it a fascinating insight into how great songs are recorded. It's also frustrating that the song wasn't ever recorded properly. There are far too many songs that have been thrown away by great musicians that never made their own releases. I'm thinking about Springsteen never doing Because The Night, Paul Kelly giving Cake and the Candle to Kate Ceberano and Nico strangling the life out of this song.

    This YouTube video is not the version from Bootleg Series Vol. 2, but it is an instrumental version with footage from Wim Wenders' Paris, Texas. But the song title link is the real deal. Enjoy!

    Ya'll Come Back Now
    To my American friends, I hope your Thanksgiving and Black Friday were exceptional. To those of here in Perth, how about this heat hey? To everybody else, thanks for stopping by.

    Hasala malakim.

    Wednesday, November 16, 2011

    Playlist : November 21st - 25th, 2011

    Hello and welcome to Work Tunes.

    Let's get right into the music after a pretty uneventful week. My next playlist has a rarity from Prince, the soundtrack to Boogie Nights as well as the new Muppet movie, some Billy Bragg because I haven't picked up Fight Songs yet and a tribute to The Velvet Underground and Nico from Beck and some friends.

    I've also got a band I only just discovered, The Deep Dark Woods, the KRS One and Marley Marl collaboration, some new Kathleen Edwards and an old Rickie Lee Jones and, because it's been so long, The Doors.




    My choice cut for today is Billy Bragg – Never Buy The Sun. I’ve been playing this song constantly all week. I’ve been a fan of Billy Bragg for decades now, because as you know I’m a hard-line lefty and I love a good fighter who takes the rage to the system.

    This song is in response to the News Of The World phone hacking scandal. The voice mail of a (it turned out later) murdered girl was hacked by reporters while she was missing. The same reporters paid off cops to get hold of sensitive information. And this was only one instance of hacking in a mass of violations which saw the closure of the paper, owned by our evil ex-citizen Rupert Murdoch.

    The chorus line “Scousers never buy The Sun” is a reference to how the people of Liverpool long ago boycotted The Sun newspaper (also one of Rupert’s) because of the way in which they reported the Hillsborough disaster (which if you don’t recall was the human crush inside a soccer stadium where a number of Liverpool supporters died).

    I am hoping to soon grab a copy of Fight Songs, Billy Bragg’s latest release from which this track comes. Unfortunately, it’s not selling on his site in download format and I can order the CD and wait for it much cheaper than I can get it on iTunes. So, in the meantime, I’ve been playing this over and over because I really believe something must be done about the state of journalism in Australia, let alone the UK. I won’t get on my high horse here, but really it probably needs nuking from space.

    Enjoy. Fight the power!

    Toodle-oo
    That's it for the week. Play nice out there kids. Take care of each other and maybe do something nice for someone, eh?

    May your weekend be awash with perfect moments. Hasala malakim.

    Wednesday, November 9, 2011

    Playlist : November 14th - 18th, 2011

    Hello and welcome to Work Tunes.

    Not much to report on the week just passed besides sick kids and a sore thumb. I don't think I've ever felt anything as painful as a chunk of flesh missing from the corner of my thumb. At least no pain I've felt has ever put me close to passing out like this did. But enough whining, it's music time.

    What have I got? I'm glad you asked. I grabbed the first Sweet Relief compilation after realising I hadn't heard Summer of Drugs in years. For fans of Community, I have Donald Glover's (Troy) debut commercial release as Childish Gambino. I was late to Community, so I heard the Gambino mxtapes before I knew who he was. I also grabbed some Billy Bragg because his new album is out.

    Twitter buddy @kirstimelville made me pick Wham!'s The Final after a chat about 80s music and I grabbed Lou Reed's New York to balance the yin and yang of that decade in song. Add Springsteen's Ghost of Tom Joad thanks to #occupy, Gram Parsons, some 90s stuff from Dinosaur Jr and the forgotten SPDFGH and all we have left is Tim Rogers.

    Check it out:
    1. Wilco
    2. Josh Rouse
    3. U2
    4. Veronica Falls
    5. Deer Tick



      Deer Tick’s Let’s All Go To The Bar made me sit up and say ‘oh hell yes!’ while working away. The sentiment was instantly relatable at this stage in the week, but the sound is decent too. It’s a bit of a ruckus in the early 50s rockabilly vein but with a bar song sing-along chorus refrain. It stomps and rocks and runs around drunk shouting everybody drinks.

      It’s a good thing, I think, that Deer Tick can do songs like this as well as the more subdued and sombre tracks they have. I wouldn’t say I’m a massive fan of the band, but they do sing a mean tune. So picture that first Friday beer when you slip this song on. Cheers!

      Cheerio
      Tah tah for now then, kids. Stay safe out there and have an excellent weekend.

      Before I go, if you're an old school head like me, you might be ineterested in parting with some cash to preserve Style Wars. Henry Chalfant is raising money through Kickstarter and if you pay just $25 you can get yourself the 2 disc DVD or Style Wars Revisited. I've thrown some cash down because Style Wars is one of the touchstones of all Hip Hop culture. It should one day be preserved in the Smithsonian or something. Have a look.

      In a much sadder piece of old school news, last week saw the passing of Dwight Arrington Myers, better know as Heavy D. 'Hev' was a rap pioneer and the among the creators of the early 90s soft r&b hip hop sound. More recently he was a movie actor, with roles in Cider House Rules and the just released Tower Heist. I have to say thank you to Heavy D for being a part of my burgeoning journey through Hip Hop when even his rap break in Janet Jackson's Alright felt like a massive acknowledgement of 'my' culture by mainstream Pop.

      Rest in peace Brother Heavy. Peace be upon you. And to you all, hasala malakim.

      Wednesday, November 2, 2011

      Playlist : November 7th - 11th, 2011

      Hello and welcome to Work Tunes.

      Well the week is over again and guess what your boy did? Only put $20 at 35 to 1 on the horse that came SECOND in the Melbourne Cup by the smallest margin in Cup history. Mugs. Game.

      For the next week at work I'll be listening to a mix of old favourites from Josh Rouse, Wilco and Pink Floyd, some new tunes from Deer Tick and Veronica Falls and a few compilations; one being an 80s compilation I recently found on vinyl, another an Achtung Baby tribute and the third a brilliant old skool mixtape from Brooklyn Radio.

      Check it out:



      I don’t know anything about Veronica Falls. I don’t know if that’s the solo artist’s name or a band. This song Bad Feeling was on the Spin Magazine playlist for November. You can still pick it up for free with a US iTunes account from http://www.spin.com/itunes What I do know is there is something I like about the track and the sound.

      It calls up some early 80s UK post punk in a way, mixed with the indie pop that came later in the 80s. It’s a little bit Smiths, a little bit Joy Division. It’s a swirling wall of reverb and a steady hammered drum beat with female vocals. See what you think.


      Farewell
      Farewell sounds so final and morbid, doesn't it? I wonder why? At any rate, it's not farewell for good, just for now. I'll be back here next week listing out my listening for the 3 of you who are reading (Hiya!).

      Until then, be excellent to each other, don't sweat the small stuff and all the rest of those snappy little clichés that you read and then roll your eyes at. Really, just do what you do with respect for others.

      Hasala malakim.

      Wednesday, October 26, 2011

      Playlist : October 31st - November 5th, 2011

      Hello and welcome to Work Tunes.

      It's a 'surprise' long weekend here in Perth, with Her Majesty here to visit. We've all got Friday off (it's Thursday night as I write this) and there's some sort of mass barbecue happening. It feels a bit Jonestowny, but I was staying away for other reasons.

      This week's list features the first Christmas album of the year that I'm willing to spin with the new She & Him. Some old grungey favourites in Triple J's Hottest 100 Volume 2 and The Breeders' Pod made the cut. Inspired by @BreeMateljan's SOTW, I've reached for ZZ Top - Afterburner. I've got some moody electronic stuff from Nightmares On Wax, some new tracks from Spin, a new Dylan compilation and some more.

      Check it out:
      1. Nina Simone
      2. The Jam
      3. Bliss N Eso
      4. US3
      5. Ben Lee



      I am torn between two songs for SOTW today. Both have been inspired by some excellent televisual programming. I’m choosing this one because the program and the period of history that it covered was far more monumental. The PBS documentary series Eyes On The Prize from 1987 traces the history of the Civil Rights movement in the US. I recently watched episode 2 which deals with the period between 1957 and 1962. Key to this period was the integration of schools and in particular the resistance to same at Little Rock, Arkansas – home of the PUSA with the busy hands ;)

      Mississippi God Damn is Nina Simone’s most scathing protest song, but it starts out like a sly joke. This version is live and you can hear the audience chuckling along with Nina’s trademark asides. Until she sings the verse that says “Don’t tell me, I’ll tell you!” and by the end of that, the silence is palpable. There’s a real threat in her voice when she says “Bet you thought I was kidding, didn’t you?” Then the lyrics get even harsher. It’s pure magic and surely one of the greatest protest songs of the era. She sings Strange Fruit like a sad hymn, but Mississippi God Damn is an incitement to riot. Enjoy.

      Tah Tah
      If you haven't heard it already, make sure you check out this week's Song of the Week. Nina's angry rant brought on by the bombing of a church in Alabama, killing four girls, is one of those songs that's a must for anyone who appreciates the power of lyrics and performance.

      In "the old country", my grandmother and her brothers used to say 'May the road rise up to meet you'. My wish for you is that the road stays where the hell it is, because that just sounds dangerous.

      Play safe kids. Hasala malakim.

      Thursday, October 20, 2011

      Playlist : October 24th -28th, 2011

      Hello and welcome to Work Tunes.

      This week the Australian and more specifically Perth Hip Hop community mourns the loss of Hunter of the SBX Crew. Hunter battled cancer for more than a year and managed to organise a compilation of Australian rap acts to raise money for Canteen. The disc is due out in November and you can order it here on release. Condolences to Hunter's son and family, the Syllabollix Crew and the whole Australian Hip Hop community on a great loss.

      So with a heavy heart, it's on with the music. I had to have a "Skip Hop" contingent and I've chosen Bliss n Eso and the excellent Culture of Kings compilation where I first heard Hunter. Watching This Is England '86 this week has put me in the mood for The Jam. New albums from Ben Lee and Noel Gallagher; a Nina Simone anthology, Dixie Chicks - yeah Dixie Chicks. What pimp?! Come at me - plus some other gems and there you have a whole week's listening. It's actually a short week this week because of the relocated-just-for-CHOGM long weekend.

      My list goes:
      1. Hilltop Hoods
      2. Nas
      3. US3
      4. The Pleased
      5. Sonic Youth



      Yesterday morning, Perth rapper and long-time Syllabolix Crew member Hunter lost his battle with endocrine cancer. You can read about it at PerthNow.

      This is one of the only solo tracks of his that I know. It appears on Culture of Kings Vol. II. Hunter and the SBX crew were among those who first gave Australian Hip Hop its own sound. In the early days, we had Mighty Big Crime who were Beastie Boys rip offs, plus a bunch of mostly American-style lesser lights. Even the DJs on 100FM who I listened to in the 80s would put on fake US accents to rap or to talk Hip Hop.

      SBX’s uniqueness gave us a completely Ocker sound and content. They rapped about Centrelink and beer and trainlines. Hunter actually has an LP called Going Back To Yokine where he raps all about his home suburb. This track Jam Roll is about fudging Dole forms and living unemployed. I think that now Australian Hip Hop has found a happy medium between the larrikin and the serious exponent of the culture, but back when people like Huntz got started, it was still finding its way ahead. He really was a pioneer for what we have now.

      As I said, I have only heard a few of his songs apart from his appearances in other people’s tracks like Drapht, Hilltop Hoods, Bias B and Matty B, but I have been following him on Twitter for the last year. It has been a little bit of a humbling journey. He ran the gamut of emotion from day to day from upbeat positivity to out and out depression. It was a sad day for the heads yesterday and a lot of us felt it. So this is me pouring a ‘forty’ on the curb for a ‘homie’ who’s gone. Except Hunter hated US rap.

      RIP Hunter
      Rest in peace to a rapper who helped point Australian Hip Hop in it's own direction. Without Hunter, things wouldn't be quite the same. He introduced a uniquely Australian identity to the music and elements of it still remain. That identity was the reason we managed to shake off most of the US imitation from our collective backs.

      Play safe out there kids, no matter what you do. And don't forget to have fun. Hasala malakim.

      Thursday, October 13, 2011

      Playlist October 17th - 21st, 2011

      Hello and welcome to Work Tunes.

      This week has been fairly unspectacular. I've spent a lot of it in a haze of hayfever/flu drugs while I fought off epic sniffles. I'm almost recovered now though, thanks for asking.

      To the music and this week I have a band I just discovered, Real Estate, though they're not new. I have a soundtrack from a so-so indie sleeper; the latest from funky jazz rap outfit Us3; some Nas; a Rickie Lee Jones classic, Prince's 20Ten record that he released via the Daily Mirror in the UK, some good old-fashioned Sonic Youth and more.

      See what you think
      1. Digable Planets
      2. Fela Kuti
      3. Superstar Quamallah
      4. Toy Box Scholars
      5. Horse Feathers



      My song this week came from the free Spin playlist for October. I don’t know this band, but this song makes them sound like Weezer maybe spent some time in the studio with Bush of all bands. What I like about it is it wouldn't raise an eyebrow if you took it back and released it in the early to mid 90s. When the kids are ripping off that kind of sound and doing it well, I’m not sure if that’s a good sign or not, but I like how it sounds.

      There’s an obvious 90s vibe running through with the quiet loud distortion of it. Even the arpeggiated guitar under the verse. It makes me think that nostalgia is moving faster than ever before, but then I remember that 1991 was 20 years ago and that’s about how long nostalgia usually takes. There’s still a little bit of current style about it too, with an epic harmonised refrain of Ooooos and the swelling of instruments into that wall of sound orchestration we’re used to from Bon Iver, Polyphonic Spree etc.

      TGIS
      Well that's me for another week. I trust your week will be sunshine and lollipops; or at the very least, a light breeze and good coffee. If you get a chance, stream the Real Estate LP on NPR if you like mellow surf pop. It's quite an enjoyable listen.

      Take care out there kids. Don't let the Man turn you around. Hasala malakim.