Saturday, January 12, 2013

Darkness Never Moving Toto (January 14th - 18th)

Hello and welcome to Work Tunes.

The first working week of the year is done and dusted and it wasn't half bad. The usual administrative start led smoothly into the massive workload and busy bee of a the end of the week. Through it all of course was the music, just like next week.

For next week, I have a few musical equivalents of a warm cup of cocoa with 80s radio-friendly sets from Toto, Van Halen and The B-52s. I've got a Skip Hop contingent from a compilation and an album from The Herd; as well as more Australian music from the one and only Paul Kelly. I'm trying to rediscover the Ryan Adams & the Cardinals outtakes from III/IV and I bought a Sonic Youth album I haven't heard. Lastly, for a little bit of groove, I am including Jamiroquai. 

Check it out:
  1. Bruce Hornsby
  2. The Autumn Defense
  3. JEFF the Brotherhood
  4. Datarock
  5. Cotton Jones

Song of the Week : Joe "Bean" Esposito - You're The Best



Speaking of holidays, mine was great, thanks for asking and it inspired this week’s SOTW. It’s actually more like Song of the Month because we've hummed and sung and played it all holidays. 

As you probably know from Twitter, I got my girls a skateboard each for Christmas. I haven’t had a chance to take Miss 3 out because we kept her in the day care routine as best we could, but I taught Miss 6 the basics and she is doing well. She can now stand up and push and coast in a mostly straight line. I have taught her to lean turn but she can’t turn in a big arc yet. Still, a lot better than me at 6 when I used to basically sit on my plastic board and roll down our steep driveway. 

Because it was like a training montage of trying and failing, I happened to sing (for Mrs Coreyj's benefit) the Joe Esposito track from Karate Kid – You’re The Best. Big chuckles ensued of course. But the song hasn't gone away. It’s been stuck in all our heads for weeks. So now I’m giving it to you! The interesting thing about the track is how cheesy and comically-sincere it is, but at the time, it was completely serious. It’s a “hard rock” track with keys in the mode of a Journey or even a Toto, but with small and aborted attempts at Ian Gillan style vocal acrobatics. 

So, try to ignore the fact that this track is from the GREATEST MOVIE EVER MADE and just judge it on its own merits. 



Adieu

Thanks for stopping by. As always, happy musical trails to you all. Hasala malakim.

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